| Our pilot for the balance of our Canal transit prepares to come aboard. |
| Leaving Gatun Lake and preparing to enter San Pablo Reach. |
| Mindi, one of the huge dredges used to keep the shipping lanes deep enough. |
| Titan, a huge crane appropriated from Germany after World War II. |
| Entering the Culebra, or Gaillard, Cut, the most challenging stretch during construction because of the massive amount of excavation required and the frequent landslides. |
| Approaching the Centennial Bridge with Gold Hill on the left and Contractors Hill on the right. The Continental Divide lies between these two. |
| Gold Hill. |
| Another dredge. |
| Approaching the Pedro Miguel Locks. |
| One of the ferries that provide transportation through the Canal for residents and tourists. |
| Into the lock channel. |
| The gates open after the single lock has lowered us 31 feet, and we prepare to enter the stretch of the Canal known as Lake Miraflores. |
| Fire towers. |
| Entering the set of double locks at Miraflores. |
| These two locks have lowered us another 54 feet and we are now back at sea level. The new locks on the Pacific entrance to the Canal will be a set of three just west of the Miraflores set. |
| Cargo area for moving containers between ships that are too large for the existing locks and the railroad that will move the cargo by land over the isthmus. |
| Bridge of the Americas, spanning the harbor of Balboa and the Pacific entrance to the Canal. |
| Amador Causeway on horizon to the right. |
| The colorful,Museum of Biodiversity, designed by Frank Gehry. |
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| Our group photo. |
| And we prepare to spend our third and last night aboard the Discovery moored on the leeward side of Taboga Island in the Gulf of Panama. |

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